These are links that navigates towards my Medium blog page.
Towards an extitutionalisation of education | by Iannis (John) Bardakos | Medium
Death by invisibility. Art creates a self-contained and… | by Iannis (John) Bardakos | Medium
Techno-mathematical categories, a proposal for artistic experiences | by Iannis (John) Bardakos | Medium
Towards an extitutionalisation of education | by Iannis (John) Bardakos | Medium
Death by invisibility. Art creates a self-contained and… | by Iannis (John) Bardakos | Medium
Techno-mathematical categories, a proposal for artistic experiences | by Iannis (John) Bardakos | Medium
Visit the Technoetic Arts Journal links : (Intellect publishing website / Pubpub page ),
The Roy Ascott Technoetic Arts Studio in Shanghai or my ORCID and Academia Page for more updates.
The Roy Ascott Technoetic Arts Studio in Shanghai or my ORCID and Academia Page for more updates.
My work and research intersect art and technology, particularly in the realms of Virtual, Immersive, and Interactive Arts, and are deeply informed by my involvement with generative AI, Speculative Research, and Cybernetics. In my leadership roles, I have been committed to merging technological advancements with creative practices, fostering environments where exploration and innovation at the digital media and immersive technology nexus thrive.
My pedagogical philosophy, which emphasizes the symbiosis of theory and practice, resonates with modern educational models that champion integrated learning experiences. My contributions to significant forums in the field, such as ISEA, TTT, and Ars Electronica, reflect my dedication to pushing the boundaries in VR/AR, metaversal AI-driven media arts, interactive storytelling, and the performative dimensions of cybernetic art.
Rooted in a strong mathematical foundation, I approach problem-solving with analytical rigor, infusing the creative process with ontological depth and a harmonious balance between practicality and abstraction. My commitment to interdisciplinary collaboration is central to my work, positioning me to contribute uniquely to the fusion of cultural technology in both academic and industry spheres, with the aim of driving forward societal evolution through innovative intersections of art and technology.
My pedagogical philosophy, which emphasizes the symbiosis of theory and practice, resonates with modern educational models that champion integrated learning experiences. My contributions to significant forums in the field, such as ISEA, TTT, and Ars Electronica, reflect my dedication to pushing the boundaries in VR/AR, metaversal AI-driven media arts, interactive storytelling, and the performative dimensions of cybernetic art.
Rooted in a strong mathematical foundation, I approach problem-solving with analytical rigor, infusing the creative process with ontological depth and a harmonious balance between practicality and abstraction. My commitment to interdisciplinary collaboration is central to my work, positioning me to contribute uniquely to the fusion of cultural technology in both academic and industry spheres, with the aim of driving forward societal evolution through innovative intersections of art and technology.
ARTICLES/CONFERENCES LECTURES/PROCEEDINGS/PUBLISHED DEMOS
Santorineos, M., Zoi, S., Dimitriadi, N., Bardakos, I., Velaora, M., et al. (2014). From the Monologue of Mass Media to the Dialogue of New Media in the Information Society: The Interactive Narrative of Digital Games as a Case Study of Crisis. In: Proceedings of the Digital Storytelling in Times of Crisis Conference (DST2014) , May 2014, Athens, Greece. Available at: https://dst.ntlab.gr/2014/
Santorineos, M., Bardakos, I., Velaora, M., et al. (2015). Epilogi in crisis. A Collaborative Virtual Reality Project. In 2015 IEEE Virtual Reality (VR) (pp. 329-330). IEEE. https://ieeexplore.ieee.org/document/7223440
Bardakos, I. (2015). Self-Reference as a Generator of Aesthetic Experiences. Parism France : λ-Recursive Press.
Bardakos, I., Diamantopoulos, T., Dimitriadi, N., Santorinaios, M., & Zoi, S. (2015), From Complex Arts to Hypermedia and New Virtual-Potential Spaces: A Handbook for the Artist Engaged in Digital Art. [Undergraduate textbook]. Kallipos, Open Academic Editions. Chapter 12. Available at: https://hdl.handle.net/11419/6072
Younes, E., Bardakos, J., & Lioret, A. (2016). Eye tracking for understanding the aesthetic of ambiguity. In Proceedings of the 2016 Virtual Reality International Conference (VRIC) (Article No. 9). ACM.
Bardakos, I. and Lioret, A. (2016) ‘An aesthetic approach on abstract topological spaces and their isolated points’, in Ziogas, Y., Lefas, P. and Lefa, N. (eds.) Visual March to Prespes 2015-16: Flows of Realities - International Conference "Places on the Edge: Creating a Sense of Place in Off-the-Beaten-Track Places", Prespes, Greece, 7 July. Available at: https://eetf.uowm.gr/wp-content/uploads/2016/06/Prespes-Conference-Schedule-July-2016.pdf
Bardakos, I. and Lioret, A., (2016). The search for the aesthetic representation of a mathematical text with digital tools. In: 2nd Scientific Conference of the School of Art Studies, T.E.I. of Athens: Aesthetics in the New Digital Reality , 27-28 May 2016, Aerophylakio 1- Amphitheater, Technopolis City of Athens. Available at: http://www.teiath.gr/userfiles/sgtks_web_admin/documents/2015_16/Abstracts_and_program-Congress2016.pdf
Lioret, A., Tricaud, M., & Bardakos, I. (2017). Fractal Artificial Life: Looking for Creativity at the Edge of Chaos [Poster presentation]. 14th European Conference on Artificial Life (ECAL 2017), Lyon, France.
Bardakos, I., & Lioret, A. (2017). The aesthetics of mathematical anathemas: The division by zero. In Proceedings of the TABOO - TRANSGRESSION - TRANSCENDENCE in Art & Science Conference (TTT2017) (pp. 1-10). Ionian University.https://ionio.gr/download.php?f=00001-00999/IU-pf-00906-86106-en.pdf
Bardakos, I., & Lioret, A. (2019). Diagrammes et abstractions mathématiques pour une poésie visuelle. Revue ATI-INREV, 5. https://inrev.univ-paris8.fr/revue/Revue_ATI_INREV_num5.pdf
Bardakos, I., Younes, E. & Lioret, A. (2019). Digital interaction as an opening space for aesthetics of consciousness. Technoetic Arts, 17(1), 5-16. https://doi.org/10.1386/tear.15.3.231_1
Bardakos, I. (2019). Aesthetics, arrows and connectivity: On art, 1st and 2nd order cybernetics and information flow in diagrammatic reasoning driven canvas’, in Proceedings of the A-Club Athens Symposium “Rubrics of Transformation”. Athens: Planetary Collegium - University of Plymouth, New Technologies Laboratory - Dept. of Communication and Media Studies, National and Kapodistrian University of Athens, Municipality of Athens, Greece. Available at: https://issuu.com/aclub/docs/rubrics_of_tranformation.
Bardakos, I. (2019) ‘Categorical Poetics’, in Proceedings of the @postasis Third Multiplier Event. Paris, France: La Folie Numérique No5, Parc de la Villette. Available at: http://apostasis.eu/Portals/0/Apostasis_MultiplierEvent_Paris_Agenda.pdf
Bardakos, I. and Lioret, A., (2019). The Poetry of Categories and Computation: On a Mathematical Bridging of Computational Aesthetic Generators. In: 21st International Consciousness Reframed Conference - 2019, 6-8 June, Escola das Artes, Rua de Diogo Botelho, 1327, Porto, Portugal.
Bardakos,I. (2019) ‘The Poetics of Technology’, Noesis in Art and Technology 1, Pearl Art Museum, 27 January. Available at: http://pearlartmuseum.org/en/category/person-list/detail!John-Bardakos
Bardakos, I. (2019) ‘Exploring the poetics of virtual reality’, Noesis in Art and Technology 2, Pearl Art Museum, 24 February. Available at: http://pearlartmuseum.org/en/category/person-list/detail!John-Bardakos
Bardakos, I (2019) ‘The Validated Reality’, Noesis in Art and Technology 3, Pearl Art Museum, 2 March. Available at: http://pearlartmuseum.org/en/category/person-list/detail!John-Bardakos
Bardakos, I., Zepka, E. and King, M.L., (2019). Rational Games for Biological Spaces. In: ISEA2019: 25th International Symposium on Electronic Art. Available at https://isea-archives.siggraph.org/presentation/rational-games-for-biological-spaces-panel-introduction
Bardakos, I. (2020). Ateleological Arrows and Bubbles. In Cybernetics and Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis & Cybersemiotics. [Featured Artist].
Banerjee, T., Lioret, A., & Bardakos, I. (2021). re-prOCesS.iN_(g)_ene/Rate: [GENERATIVE PROPERTIES OF A LINE IN SYSTEMS ART & RELATIONAL AESTHETICS]. In C. Soddu & E. Colabella (Eds.), Proceedings of the XXIV Generative Art Conference 2021 (p. 349). Generative Art and Design Lab, Argenia Association. ISBN 978-88-96610-43-5. Retrieved from https://generativeart.com/GA2021/papers/GA2021_proceedings_web.pdf
Bardakos, I., Sourgiadaki, E., & Lioret, A. (2021). Deconstructing the isolated astronaut-artist paradigm. Technoetic Arts, 19(1), 171-184. https://doi.org/10.1386/tear_00061_1
Bardakos, I., Honorato, D., Jacques, C., Westermann, C., & De Filippi, P. (2021). On modes of participation. Technoetic Arts: A Journal of Speculative Research, 19(3), 221-225. https://doi.org/10.1386/tear_00064_2
Bardakos, I., Honorato, D., Hu, Y., Jacques, C. and Westermann, C., (2022). Technoetic Arts: A Journey of Speculative Research. Institutional Presentation at ISEA2022, Barcelona. Available at: https://isea-archives.siggraph.org/presentation/technoetic-arts-a-journey-of-speculative-research-presented-by-bardakos-honorato-hu-jacques-and-westermann
Westermann, C., Bardakos, I., Salvaggio, E., Lombardi, J., & Richards, L. (2023). #NewMacy Studio in Sympoiesis. In Proceedings of Relating Systems Thinking and Design (pp. 329-330).
Bardakos, I., (2023). Mystemics: The Systems Study of Mystical Consciousness in Architectural, Iconic, and Ritualistic Form. In: LASER Talks at Roy Ascott Studio: Technoetic Aesthetics and Psiborgian Incursions, DeTAO, Shanghai Institute of Visual Arts, Available at: https://leonardo.info/civicrm/event/info%3Fid%3D820%26reset%3D1
Bardakos, I., (2023). A Cybernetic Experience: Aesthetic Metaversial Flaneurs. Places - Spaces - Topoi and Their Liminal Hybridity in Art and Fashion Design. In: 2023 International Symposium on AI Fashion with Metaverse, Hanghzou, China National Apparel Technology & Innovation Institute,by the International Institute of Fashion Technology and Fashion Design College of Istituto Marangoni, ZSTU and co-organised by China National Apparel Technology & Innovation Institute.
